Australia's Famous Painters

John Glover

Glover was one of the precursors of an Australian style of painting. He arrived in Tasmania from England in 1831. A talented landscape painter with a strong reputation in England (and France), Glover was never seen as an artist who 'pushed the boundaries'.

While he was initially criticised for not paying close enough attention to the 'local characteristics', he did find an individuality in his work through the new landscapes and atmosphere of Tasmania. His depiction of the Tasmanian light as bright and clear, was a departure from his European paintings and gave his paintings a true Australian quality.

His body of work made him a pioneer of landscape painting in Australia.

Tom Roberts

Roberts was the first major painter to be selected to study at London's Royal Academy of Arts in 1881. He studied impressionism in Europe and returned to Australia in 1885 and, together with McCubbin, Streeton and Condor (the Heidelberg School), dedicated himself to painting the bush.

The outback was the stuff of his paintings - Shearing the Rams and A Break Away being amongst his most famous.

Fredrick McCubbin

McCubbin became the first Australian-born white artist of significance and was probably the most impressionistic of the nationalistic group of painters. His long association with Roberts had a significant impact on his painting and he was one of the Heidelberg School's leading lights.

McCubbin's most famous work - Lost - was inspired by twelve year old Clara Crosbie who was found alive after three weeks lost in the bush near Lilydale.

Grace Cossington Smith

Cossington Smith stands at the vanguard of modernism in Australia and her painting - The Sock Knitter (1915) - is recognised as a key modernist work.

The real character of her contribution to modern painting took shape with the formation of the 'Contemporary Group' in 1926 (with Roland Wakelin and Roy de Maistre). It was many more years before appropriate recognition was given to her impressive body of work.

Margaret Preston

Margaret Preston has endured as one of the nation's most popular painters. She is most well known for her oils and prints of Australian flora and fauna.

She was heavily influenced by modernism and was one of the first artists to understand the importance of, and to be influenced by, Aboriginal art.

Preston also took a liking to print-making and producing hand decorated ceramics.

Sidney Nolan

Nolan was fixated with Australia's icons, especially the legendary bushranger, Ned Kelly. Nolan painted his first Ned Kelly series in 1947 and brought together the land, its people, history and most importantly, its mythology.

Nolan described his work as 'a confused mix of landscape, animals, and Aboriginal culture, with a kind of Bible overtone'.

Arthur Boyd

Influenced by the French post-impressionists, Boyd absorbed a range of artistic influences, including Sidney Nolan, Albert Tucker and the Russian emigre, Danila Vassilieff.

Boyd's celebrated Half-caste Bride pictures were inspired by time spent in Central Australia, as well as the early surrealist paintings of Chagall.

John Olsen

Olsen's chief subject is the Australian landscape. His observations of the land's wildlife and the 'Aussie larrikin' taps into a tradition and a sense of national identity that harks back to the Heidelberg School.

Some of his greatest works include his Lake Eyre paintings and more recent works such as Golden Summer and Clarendon. His mural Salute to Five Bells is exhibited at the Sydney Opera House.

Brett Whiteley

The best example of this eclecticism can be seen in the work of Brett Whiteley who drew on a wide range of cultures and influences.

He was seen as one of the leading lights of the avant-garde art movement. His brilliant Alchemy depicted life's journey, from birth to death, and the ultimate transmutation. In 1977 he became the only Australian artist ever to claim the Archibald, Sulman and Wynne art prizes - a unique treble.

Richard Larter

Widely regarded as the 'grandfather' of Pop art in Australia, Larter has used different mediums throughout his career to portray his work.

Larter's main theme in his work was the sexuality of the human figure, particularly women. His adaptation of the hypodermic syringe was his 'painter's pen'. By varying the finger pressure on the plunger, Larter believed he had more control over his works 'than Jackson Pollock pouring paint from holes in cans and flipping drip sticks'.

Michael Johnson

One of a new generation of abstractionists, Johnson uses shaped canvasses and broad masses of flat, uninterrupted colour. Rectangular forms provide the structural component of his work and there is a three-dimensional element to many of his works.

Lindy Lee

Lindy Lee is one of Australia's foremost contemporary artists. She became known in the 1980s with paintings based on images from the past (e.g. El Grecho, Rembrandt, Delacroix).

Her technique of scraping back the black oil and wax she applied to the surface of her paintings to reveal an underlying image, gave her works an almost ghostly 'foggy' feel. (The Encyclopaedia of Australian Art 1994).